May. 31. 2012. 10:14 pm 22,461 notes

I think I would like to have a slice of cake, a glass of wine, and talk about murder with Charlize

how to walk like a queen [x]

via dulce
May. 31. 2012. 06:21 pm 3,514 notes
no one ever: hey wait a sec let me just search that on Bing
via kaygwai
May. 31. 2012. 05:33 pm 2,983 notes

(Source: spaceship-lolita)

via fuckyeahhardfemme
May. 31. 2012. 04:44 pm 8,543 notes
natface:

peterwknox:

stupidlittletuftybeard:rintintinn:slaughterhousefive:suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

THIS has always subconsciously made sense and now is just so awesome to see.

Ugh I love this interpretation

natface:

peterwknox:

stupidlittletuftybeard:rintintinn:slaughterhousefive:suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

THIS has always subconsciously made sense and now is just so awesome to see.

Ugh I love this interpretation

via rosa--sparks
May. 31. 2012. 04:05 pm 66 notes

heyfatchick:

lipstickhipsandheels:

litas foreverrrrrr.
sweater & skirt: h&m
bag: cambridge satchel company
shoes: jeffrey campbell

Coveting that houndstooth skirt

(Source: lipstickhipsandheels)

via heyfatchick
May. 31. 2012. 03:22 pm 1,186 notes

(Source: acatiknow)

via brohamsandwich
May. 31. 2012. 02:37 pm 8 notes

cheatsheet:

Your Tumblrer spent some time mapping possible signs of the possibly upcoming zombie apocalypse. Servicey, right?! 

Creepy…And I read in today’s Metro that a man here in Sweden cut off his wife’s lips and ate them. So. International zombie apocalypse.

via cheatsheet
May. 31. 2012. 02:21 pm 22,331 notes
tastefullyoffensive:

[via]

tastefullyoffensive:

[via]

via menwomenandelectrodaggers
May. 31. 2012. 10:36 am 1,054 notes
marrowandfluff:

femburton:

“People say, ‘You just got famous on YouTube.’ I’m like, ‘So? You didn’t get famous anywhere.”- Azealia Banks in Elle US April 2012 Women in Music Issue

gr8 hair gr8 everything

marrowandfluff:

femburton:

“People say, ‘You just got famous on YouTube.’ I’m like, ‘So? You didn’t get famous anywhere.”- Azealia Banks in Elle US April 2012 Women in Music Issue

gr8 hair gr8 everything

via menwomenandelectrodaggers
May. 31. 2012. 09:52 am 537 notes

glossylalia:

thethirdmeow:

diversityinfilmtv:

The new trailer for BBC/Sky 1 HD television series Sinbad.
So far….looks impressive.

I am so far past “can’t wait”, give it to me NOW.

via glossylalia
May. 31. 2012. 09:09 am 2,673 notes

(Source: youfigureoutwhyimguarded)

via marierantoinette
May. 30. 2012. 10:14 pm 26,568 notes

(Source: youallknowthefuckingscore)

via faded-as-my-jeans